Books with author George Kerr

Vincent Lacour rose at eleven these dark mornings; by half-past twelve he had breakfasted and was at leisure. To begin the day with an elastic interval of leisure seemed to him a primary condition of tolerable existence. From his bedroom windows he had a glimpse of a very busy street, along which, as he hummed at his toilet, he could see heavily-laden omnibuses hastening Citywards; he thought with contemptuous pity of the poor wretches who had to present themselves at bank, or office, or shop by a certain hour. “Under no circumstances whatever,” he often said to himself with conviction, “would I support life in that way. If it comes to the worst, there are always the backwoods. Hard enough, no doubt, but that would be in the order of things. If I stick in the midst of civilisation, I live the life of a civilised man.” A mode of looking at things wherein Vincent was probably rational enough.

Excerpt from Sketches From Nature, Taken, and Coloured, in a Journey to Margate: Published From the Original DesignsHe appeared to be somewhat mended. His death was sudden, on 1111597111 of June 1797. He left. One dalig.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Leaving friends and moving to a new location is troubling for any child. For Fritz', adjusting to his new situation at first seemed impossible. "This is a pretty good place to live. I am starting to like it here" is Fritz' final thought in Fritz' River. The change in his attitude is the result of his enjoyment of the activity on the river, the delight of his friends who come to visit, and finally, the surprise arrival of a special boat on the river. George Kertz began his writing career as a mathematics profesor. He wrote several papers on mathematics and college-level mathematics text books. His interest in children's stories began with telling bedtime stories to his grandchildren. Fritz' River started in this way.

**HONORABLE MENTION IN THE 2014 HOLLYWOOD BOOK FESTIVAL** From IndieReader.com review: "CRYO-MAN is an interesting look at a future where robots and humans battle for survival in the aftermath of a great war. Niko’s adventures through this wasteland to recover his lost memories set the stage for an unusual look at life after an apocalypse. The world of CRYO-MAN is rich with detail and ripe for a series." Nikolas Edwards has a lone memory: he follows his young son around their house, playing and laughing, as any normal father would with his boy. But Nikolas is very sick and the memory ends with his death, though not before he has his son make a very important phone call... When Nikolas awakens next, he is no longer the man he used to be and no longer lives in the world he once knew. He has changed dramatically, more than he imagined a human possiby could. Cryonics has given him a second chance at life, but it has taken away nearly every memory he once knew, leaving only the final moment before his human death. But the thought of his son remains, tethering him to a past he desperately wants to remember. Though the world is no longer controlled by humans, he sets off to learn about his family by any means necessary, even though what he's become makes him an enemy to all. OTHER WORKS BY THE AUTHOR CRYO-MAN SERIES BOOK ONE - CRYO-MAN BOOK TWO - ROBOTROPOLIS BOOK THREE - DEARBORN BOOK FOUR - BEYOND RIVER CITY (final book in series) LIFE, INC. COMET CLEMENT SERIES KEEPER OF THE WATER SERIES FLEA'S FIVE CHRISTMASES

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Once upon a time, so long ago that I have quite forgotten the date, there lived a king and queen who had no children. And the king said to himself, "All the queens of my acquaintance have children, some three, some seven, and some as many as twelve; and my queen has not one. I feel ill-used." So he made up his mind to be cross with his wife about it. But she bore it all like a good patient queen as she was. Then the king grew very cross indeed. But the queen pretended to take it all as a joke, and a very good one too. "Why don't you have any daughters, at least?" said he. "I don't say sons; that might be too much to expect." "I am sure, dear king, I am very sorry," said the queen. "So you ought to be," retorted the king; "you are not going to make a virtue of that, surely." But he was not an ill-tempered king, and in any matter of less moment would have let the queen have her own way with all his heart. This, however, was an affair of state. The queen smiled. "You must have patience with a lady, you know, dear king," said she. She was, indeed, a very nice queen, and heartily sorry that she could not oblige the king immediately.

The gratifying success of a previous volume of “Amateur Dramas,” and the increasing demand for pieces of a light character suitable for representation without the usual costly theatrical accessories, has induced the writer to prepare a second volume for publication. Like the first, it contains pieces which have been specially prepared for occasional exhibitions, society benefits, and parlor theatricals, and which have only been admitted to “the mimic stage” after having stood the test of public approval. For their production, no scenery is required. A moderate-sized room, having folding-doors or hanging curtains to separate the audience from the actors; costumes such as the modern wardrobe will easily supply, with now and then a foray on some good old grandmother's trunks; a wig or two; a few pieces of chalk; red paint; and India-ink,-is all the “extraordinary preparations” and “great expense” necessary.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.